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Myopia (edition Punto de Fuga)
EDITION + 2 RISOGRAPH PRINTS
  • Hillie de Rooij (NL)

 45

200 × 270 mm
72 pages
English
Softcover with linen cap and two risograph prints
TEC029PF
Limited edition: 25
  • Myopia (edition Punto de Fuga) - The Eriskay Connection
  • Myopia (edition Punto de Fuga) - The Eriskay Connection
  • Myopia (edition Punto de Fuga) - The Eriskay Connection
  • Myopia (edition Punto de Fuga) - The Eriskay Connection
  • Myopia (edition Punto de Fuga) - The Eriskay Connection
  • Myopia (edition Punto de Fuga) - The Eriskay Connection
  • Myopia (edition Punto de Fuga) - The Eriskay Connection
  • Myopia (edition Punto de Fuga) - The Eriskay Connection
  • Myopia (edition Punto de Fuga) - The Eriskay Connection
  • Myopia (edition Punto de Fuga) - The Eriskay Connection
  • Myopia (edition Punto de Fuga) - The Eriskay Connection
  • Myopia (edition Punto de Fuga) - The Eriskay Connection

Concept and photography:
Hillie de Rooij

Edit:
Hillie de Rooij
Rob van Hoesel

Essay:
Jan Postma

Design:
Rob van Hoesel

Lithography and print:
NPN Printers (NL)

Risography:
Après Midi Lab (FR)

This special edition contains the book and two risograph prints, printed by Après Midi Lab (Paris), signed and numbered.

About the book:
With Myopia Hillie de Rooij shows us that we do not simply look at pictures. There are rules and codes involved that affect the way we look at images of the world around us. And this surely counts for images of places we have never been before. Myopia deals with the way Africa is depicted in Western media and the fact that this is often based on a stereotype image. Journalistic codes demand a certain degree of stability. Stability provided by familiar foundations such as vocabulary, perspectives and subject matter. We also use our memory to interpret images. But in search of recognition we leave ourselves stuck in clichés.

Hillie de Rooij lives and works in Amsterdam. Her work originates from a fascination with the way our image and our knowledge about the world is influenced by the images that we see in different media. She is interested in how these images were established, how they are constructed and how we read them.

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