The Eriskay Connection

With Love. From an Invader. – Rhododendrons, Empire, China and Me is an intensive field study. Every other day for a year, Yan Wang Preston (CN/GB) went to a particular love-heart-shaped Rhododendron ponticum bush and photographed it. The ritual walks offered her time and space to experience, observe, and explore the land from different perspectives. She not only looked, listened, touched, and played, but also used a variety of methods to highlight the ‘invisible’ aspects of the otherwise bare landscape. Her infrared motion-sensitive cameras saw more than 20 different animal species, while her sound recorder heard over 45 different bird species in the area.

Other than observing and documenting, she also selected another tiny rhododendron shrub to have ‘hands on’ interactions. She collected all its fallen leaves in autumn, its seed capsules and aborted flower buds in winter, its fading flowers in spring and summer. This lengthy process of collecting in the field led to further embodiment with the British landscape and enabled Wang Preston to respond subjectively and intuitively to the materials, resulting in a complementary series Autumn Winter Spring Summer.

These Rhododendron ponticum plants are located at the outskirt of Burnley in Lancashire, UK. The plants thrive in this area as a legacy of the local hunting estate during the 19th century, when the plants were grown to provide cover for the game. British rhododendrons are all introduced plants, brought from southern Europe and East Asia for science and horticulture. Once the subject of the “rhodo-craze” in the Victorian era, the plant’s reputation has changed dramatically since the mid-20th century. Although still common and a much-loved sight in most British gardens, one hybrid species, the ponticum variety, is frequently labelled as non-native invasive in conservation management, targeted to be removed with often violent means. For example, Forestry and Land Scotland has ‘used chainsaws, pesticides, and considerable human power to remove this unwelcome alien.’

Certainly not the only species treated this way, the Rhododendron ponticum is a case study for such naturalised hierarchy between the native and the non-native. This unquestioned hatred of the non-native rang alarm for Wang Preston. Like millions of others, she is a migrant in the United Kingdom. The contested perceptions of rhododendrons suggest that politics is at play within the apparent objectivity of science and the definition and ownership of the British landscape. What is a ‘national’ British landscape and its associated ‘national ecology’? Who defines it? And in whose favour? Wang Preston sought to understand both rhododendrons and her own position in this land. What she finds, through the making of With Love. From an Invader. and Autumn Winter Spring Summer, is that the rhododendrons in this area are certainly not invasive. Rather, they are a keystone species that plays a central role in the local ecology.

With Love. From an Invader. celebrates the life and resilience of the rhododendron. The book creates space to contemplate the intimacy, beauty, and strength of nature, and the eternity of time within an ecological and political framework. It is a love letter from a non-native species to the cosmopolitan ecology of contemporary Britain. It is also a love letter to the British land from its non-native inhabitants who make it a home for its multicultural residents, both human and non-human.

With Love. From an Invader. is published in collaboration with the Royal Botanic Garden Edinburgh and includes two historical image collections from their archive. Wang Preston’s eclectic projects are complemented by essays by Emma Nicolson, Alan Elliott, Bergit Arends, Matthew Gandy, Monty Adkins, Michael Pritchard, Liam Devlin, and Wang Preston herself, an interview with Cosima Towneley, and a poem by Kate Kinoshita. The essays in the book underscore the interdisciplinary approach, bridging art, ecology, post-colonial studies, and cultural memory. Together, they encourage readers to explore how plant life reflects histories of exchange, resistance, and survival, enriching the relevance of Yan Wang Preston’s work in contemporary environmental conversations.