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The Mountain’s Breath (De Adem van de Berg)

CROWDFUNDING
MAY 2025
  • Sven Gerhardt (NL)

Regular
 45
Signed
 50
337 × 232 mm
416 pages
Dutch + English
Softcover
TEC138
First edition: 800
9789493363038
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection
  • The Mountain’s Breath – De Adem van de Berg - The Eriskay Connection

Concept:
Sven Gerhardt

Photography:
Jan Spee (Collectie J. Spee,
Historisch Centrum Limburg)

Texts:
Jan Spee
Ton Breuls

Text editing, proofreading:
Marlijn de Jager

Translations:
Siji Jabbar

Design:
Sven Gerhardt

Lithography:
Marc Gijzen

Production:
Wilco Art Books (NL)

In the south of the Netherlands, near Maastricht, lies the plateau of Caestert, which consists largely of limestone. The northern part of the plateau forms the Sint-Pietersberg. In the Middle Ages, people discovered that limestone was a very useful building material and started excavating it by hand, sawing out the soft stone one block at a time. Over the centuries, this industry led to an immense underground labyrinth, referred to as mergelgroeven (marl quarries).

The surface of its walls contain a huge archive of information, notes, drawings and inscriptions dating back to the late Middle Ages. Left behind by a variety of people, from blockbreakers to tourists, from soldiers to researchers and from priests to everyday passers-by. This history book in stone gives us insight into life underground as well as on “ground level”. It is where the infamous Mosasaurus was first discovered. It has witnessed wars, sieges and liberations. It is home to many myths and legends and was used as storage for national treasures such as Rembrandt’s Night Watch.

Around 1960, a cement company began excavating Slavante, the oldest part of the tunnel system, heralding the start of the destruction of this cultural-historical treasure. This prompted several people to start documenting as much of the system as possible, before it disappeared into the cement mixers forever. One of them was Jan Spee, who took thousands of photos in this underground maze. He meticulously mapped and organised its body, adding notes, descriptions and thoughts to them. At the end of 2013, he transferred his entire collection to the archives of the Historisch Centrum Limburg (HCL). His photos alone take up 5 linear metres of shelf space, the total collection spanning over 21 metres.

The Mountain’s Breath (De Adem van de Berg) is a comprehensive and diverse account of the labyrinth under the Sint-Pietersberg. It mimics a visit inside the mountain with the knowledgeable and articulate Jan Spee as a guide. The book is filled with a multitude of curiosities, which Sven Gerhardt (NL) has compiled to preserve Spee’s cultural-historical and visual observations and make them accessible. The book gives an overview and provides context and cross-references to a large selection of images, interspersed with archival material about life in the quarries.

Sven Gerhardt (1986) lives and works as a graphic designer in the Netherlands. During his graduation year at the Utrecht School of Arts in 2009 he co-founded design studio HOAX which specialises in branding, storytelling and campaigning for organisations and initiatives in the arts and culture sector. As an autonomous designer, Gerhardt focuses on reinterpreting and republishing existing archives and collections. He breathes new life into obscure and forgotten sources of information and inspiration about art and cultural history. In the project Ik ben bezig met mijn handen, en ik denk (2023), Gerhardt dug into the life and oeuvre of artist Joop Kruip. In the ongoing project Archives Tirages (2025), he examines the legacy of the coal industry in Wallonia, documenting how this desolate landscape has become a playground for graffiti artists.

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